The maya regarded death as a natural

The Maya regarded death as a natural occurrence. As soon as an individual died he was wrapped in a shroud, and to prevent his going hungry in the next life, ground corn dough was placed in his mouth. In his grave he was surrounded by offerings that showed his social rank, profession and sex, as well as his belongings.

If it was a warrior, his weapons were placed beside him; if it was a priest, his holy books and the beads used for predicting the future; if it was a woman, her stones for milling maize and her weaving tools. Also, a dog was buried to guide its master”s Pixan on the hazardous trip to eternity.

By day the bereaved mourned their departed one in silence and at night with cries and lamentations. The crossing from life to death was a difficult and delicate matter. It was believed that the souls of the dead did not leave the world immediately on dying.

They remained among their relatives

Carrying on their normal life unaware of their altered condition. Realization of what had happened came some days later and only then did the soul undertake its journey to the appointed place. This trance lasted longer with the soul of adults, which were unwilling to leave their bodies for fear of the Okol Pixan, or thieves of souls who prowled around during the final moments; this danger could be avoided through the presence of an Aj K iin to aid the dying person by placing him under the protection of Junab K uj.

When death throes were too prolonged, a relative would give the deceased twelve mild blows with a rope to ease the departure of the soul, which, detached from the body, would leave the house through the small openings at the ends of the jo olnaj- che or main beam.

Dead commoners or people without rank were buried under the floors or at the back of their houses, which were then abandoned by the relatives. Lords and governors, on the other hand, were buried in beautiful tombs-some of them of the most exquisite architectural artistry-on whose walls the stories of dynasties and divine lineages were told in painting and sculpture.

Their faces were covered with masks of jade mosaic

A asymbol of plenty and life. Nobles warriors and the socially prestigious priests were cremated and their ashes deposited in earthenware urns in the form of pots or figurines. Or sometimes the head was removed for veneration. It was boiled, scalped and split in two, cutting from side to side. The front was painted with bitumen or the features of the deceased were modelled in the empty spaces, and it was decorated with precious stones. These skulls were preserved on the family altars, whose design represented the form of the Universe.

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